Allister Cromley's Fairweather Belle (Bedtime Stories For Grownups To Tell)
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  • Stories To Hear
    • The Tree On His Back
    • A Nosebleed
    • An Abduction (Of The Alien Variety)
    • It Begins And Ends With A Fall
    • Drunken Boxing
    • His Breadbox Mouse
    • New Years Eve In A Cellar (Awaiting The Future)
    • An Explanation Of The Acceptance Of His Name
    • To Fall In Love With A Tomato
    • An Attempt At Ending Fear
    • The Race To Awkward
    • His Shadow/s
    • Candy From Strangers
    • A Lunar Eclipse (And The Man On The Moon)
  • Stories To Read
  • Historical Assumptions
    • An Impossible Conversation With Emily Dickinson
    • Happy Halloween Nevermore
    • The Naming Of Numbers
    • The First Thanksgiving
    • The Recession Of Wild Bill Hickok
    • A Tale Of Two Beginnings
    • A Possible Salem Witch Trial
    • A Royal Courtship
    • A Duel
    • Trouble At The Lincolns
    • Dempsey Vs Willard (A Scholarly Discussion On Violence)
    • The Condensed History Of The Carburetor
  • About The Belle
  • The Book
  • Contact
  • The Book Drop Project
  • Live Performances
  • Cousins, Collaborators & Conspirators
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             Martin Spitznagel                   

(pianist for The Tree On His Back)
Martin Spitznagel (www.spitzfire.com) has been hailed as a remarkable, astonishing, and “face‐melting” musical talent. His virtuosic technique, sophisticated touch, and sparkling repertoire have left audiences across the country enthralled with America’s first popular music, Ragtime.
Whether performing the masterworks of Scott Joplin or the score to Star Wars, Martin is truly at home on the piano bench. He found success early, winning a Yamaha Disklavier at the age of 14 in Calliope Media’s nationwide Crazy for Ragtime competition. His entry, chosen from the hundreds of submissions by a panel of judges that included world‐renowned violinist Itzhak Perlman, coincided with the centennial of the birth of ragtime music in 1897.

Despite this early success, Martin was largely self‐guided until 1998, when he met Eastman School of Music pianist and pedagogue Dr. Tony Caramia, who challenged him to “find the surprise” in every performance. Under Caramia’s tutelage, Martin flourished, developing a keen ear for melody, a gift for improvisation, and a talent for composition.

In the years since, Martin has performed across the country at venues large and small, including featured performances at the Scott Joplin International Ragtime Festival in Sedalia, MO and the West Coast Ragtime Festival in Sacramento, CA.

Awards for composition include "Best New Rag" in the 2007 and 2011 at the World Championship Old‐Time Piano Playing Contest, first place in the 2010 Scott Joplin Foundation’s worldwide “Train Town Rag” composition contest, as well as a Bronze International Galaxy Award, Silver Communicator Award, and Platinum MarCom Award for "Best Original Score".

In 2011, Martin was selected as the Scott Joplin Foundation’s Artist in Residence, and in May he claimed the title “World Champion of Old‐Time Piano Playing ” at the World Championship Old‐Time Piano Playing Contest in Peoria, IL.

In addition to his musical pursuits, Martin holds a B.A. in Creative Writing, a Certificate in Medieval and Renaissance Studies, and an A.S. in Filmmaking. This diverse skill set has enabled him to work on everything from a documentary film about polio with "St. Elmo’s Fire" screenwriter Carl Kurlander to composing award‐winning orchestral scores for short films and animations.

Martin currently works as a multimedia designer, writer, and filmmaker in Alexandria, VA, where he lives with his wife, Jessica. He looks forward each day to the opportunity to reach new audiences with the music that has given him so much joy. The chance to collaborate with Mark August and Amanda Gookin on a project as beautiful as this one conceived by Shane Portman is a delight!